Portraits are very much a part of the constructed view of ourselves. To a greater or lesser degree we prepare ourselves for the camera. This preparation is important as through it we are approving how the world will see us. in portraits there has to be a benchmark or certain level of approval to the image.
Preparation comes at many levels. Choice of location, clothes, make up, accessories are all important in the realisation of the portrait. How these are used in the picture is as important as the decision to include them in the first place. Most of this is subjective to the sitter. It's up to the photographer to arrange the elements of the picture to match the importance of each to the subject. All this of course, cannot be done without another vital element in the preparation - communication. The photographer needs to understand the person of whom they are taking a portrait.
Such carefully constructed portraits are intended to last. Ultimately they may well be hung on a wall or placed in a treasured album. The intention may be that in the future the person in the portrait can look back or show family friends and explain in some way who they once were, what they thought, what was important to them. The photograph might also express the status that person once held.
For many a portrait is not only about who they are at the time it was taken. It is also about aspiration. The portrait can be used to express our dreams and our vision of who we would like to be or how we would like to be seen.
I will come back to many of the points above in due course in future blogs, and to the issue of the unrehearsed portrait. This entry was intended to begin the process of explaining some of my work. 2014 will be seeing a lot more portraiture from me and hopefully I'll be using my trusty Bronica and Autocord film cameras. I'll be posting the results on here and talking about the photographs if you care to call back. Alternatively drop by my website. i t would be great to see you there.